Cambio: PANTALLAS BAJO AGUILAR DB412 Y DB810. A ESTRENAR Y PRECINTADAS DE FÁBRICA!! CAMBIO POR BAJOS O GUITARRAS DE GAMA ALTA.
Por serieb el 11/12/2014 en Zamora
Expiración: 01/02/2015 | Visto 199 veces
El anuncio ha sido retirado.
Pantallas de bajo Aguilar DB412 y DB810 recién compradas, nuevas sin estrenar y en sus cajas precintadas de fábrica disponibles para cambiar por bajos o guitarras de gama alta ya que no puedo seguir guardandolas en casa por problemas de espacio.
Son grandes pero se mueven con mucha facilidad gracias a que llevan ruedas y asas integradas.
Son las mejores pantallas de bajo jamás hechas, así de rotundo, no hay nada que se les acerque en el mercado en términos de calidad de construcción, timbre y presión sonora. Están fabricadas íntegramente en Nueva York y tienen un precio de lista (algo por debajo en tienda) de 2200 euros la DB412 y 2400 euros la DB810. Las dos a 4 Ohm para aprovechar la potencia total del cabezal.
Garantía completa en ambas, estáis totalmente cubiertos por el fabricante y el distribuidor.
Por el momento tiro de fotos de catálogo ya que están precintadas y no quiero que pierdan valor abriendo las cajas, pero en caso de estar totalmente decidido el compañero que quiera quedarse con una no hay problema en abrirla y sacarle todas las fotos que sean necesarias.
El acabado de las dos es Chocolate Thunder (marrón), color que solo se puede pedir a USA por encargo, bastante más caro que la clásica negra de toda la vida.
AGUILAR DB412 CHOCOLATE THUNDER
http://www.aguilaramp.com/products_cabinets_db412.htm
AGUILAR DB810 CHOCOLATE THUNDER
http://www.aguilaramp.com/products_cabinets_db810.htm
Busco para cambio bajos clásicos de gama alta y cuatro cuerdas: Fender Jazz Bass o Precision americanos a ser posible vintage o Custom Shop, Musicman, Rickenbacker, Sadowsky, Nash, Alembic, Wal, Lakland, Modulus, Pedulla, Sandberg, Vigier, Zon, etc. o bien guitarras Fender, Rickenbacker o Gibson.
Dependiendo del valor del instrumento os ofrecería una pantalla o las dos, podemos ajustar si las hubiese diferencias de precio a mi favor o al vuestro.
Lo ideal es que recogierais la pantalla en persona, pero si no os es posible podéis pedir la recogida por la empresa de transportes de vuestra elección si os hacéis cargo de los portes.
En caso de querer comprar una en vez de cambiarla estoy abierto a ofertas razonables, tened en cuenta lo que valen en tienda estas maravillas.
Os recomiendo con toda sinceridad que no dejéis pasar la oportunidad, cualquiera de ellas será vuestra pantalla de bajo definitiva para toda la vida.
Contacto por mensaje privado por favor. Gracias!
UN ARTÍCULO DE LA REVISTA AMERICANA BASSPLAYER SOBRE AMBAS PANTALLAS:
Aguilar: DB 810 & DB 412
By Jonathan Herrera
I COULDNT PLOT BASS CABINET TRENDS ON A SINGLE LINE. Nearly every manufacturer is employing neodymium speakers to save weight, especially in small-format cabs ideal for toting about town, but many are also offering enormous fridge-sized cabs like those tested here. Used to be that if a particularly motivated player (or a well-supported one) wanted a huge cab, Ampeg was pretty much the only game in town. But while the SVT is an undeniable classic with unique charms, its sealed tweeterless design is only one approach to the big-cab concept. Like other cab designers, Aguilar ports its cabs for extended low-frequency response and adds a horn and crossover for treble frequencies. Though Aguilar has previously had an 8x10 (the discontinued S 810) and still has a 4x12 in its line-up (the GS 412), the DB-series cabs are voiced differently. Aguilar wanted to balance hefty low end with an aggressive midrange, and wanted this voice delivered with speed and accuracy to cut through on a big stage.
Both cabs looked fantastic, benefiting from Aguilars relatively recent push into stylish colored tolex coverings that, once seen, make regular old black carpet look lame. On the flip side, though, the tolex revealed scrapes and scratches more readily than carpet ever would. With a cloth grille and subtle metal corners, each cab had a cool vintage vibe, with the Chocolate Thunder color adding a bit of extra flavor. The construction looked tough, and as big cabs tend to spend a lot of time on tour, both Aguilars boast several road-worthy features, including big recessed handles, dolly-style wheels, and rear-baffle skid rails for sliding into a trailer. Theyre missing a reinforced kick plate, however. The rear-mounted jack panel, which is recessed to protect it when the cab is on its back, has all the right connectivity, and a 50-watt L-Pad controls tweeter attenuation.
DB 412
Paired with a variety of big heads, including Aguilars remarkably powerful DB 750, the 412 performed in perfect line with Aguilars intended goal: A broad soundstage with a midrange poke for added presence. It was capable of dangerous volume, and didnt break up with even the most intense high-output, low-frequency attacks. Its not particularly delicate, and it seemed to prefer more aggressive, high-gain playing. The tweeter performed coherently with the drivers, although I found rolling it near off yielded the best full-bodied rock-style tone. It was particularly excellent as a burpy back-bickup fingerstyle cab; its strong lower-midrange presence was well matched to the mid-heavy technique. It didnt shimmer when I played slap, but it did present a thick, barky tone more in line with a classic 70s funk style sound. When I played uptempo, it kept up, without unwelcome blurriness or hesitancy.
DB 810
The DB 810 is a different animal entirely. Where the 4x12 demonstrated an obvious midrange hump in its frequency response, the 8x10 seemed a touch more even throughout the range, and felt fuller in the lows. Its not much like an SVT 8x10 at all. Where the SVT feels like a single wall of propulsive thrust, the DB 810 is more detailed, particularly in its well textured lows. Its B-string capabilities were ample, conveying strong fundamental without ducking in comparison to the higher-register strings. With a touch of distortion courtesy an overdriven tube amp, the DB 810 conveyed the furriness of my pickstyle tone, while retaining its full-spectrum balance and thickness.
The DB 412 and 810 are both welcome additions to the crowded big-cab population. Each offers a distinct voice, the 412 with its strong mids and woody presence, and the 810 with its full lows and across-the-board balance. While I dont have the motivation (or the car) to schlep these monsters, Id consider them strongly if I did. You should, too.
AGUILAR DB 412
Pros: Forward midrange and outrageous volume
Cons: Heavy
Bottom Line: A middleweight monster with output to spare.
AGUILAR DB 810
Pros: Thick lows and impressively balanced string-to-string coherence for a large multi-driver cab
Cons: Heavy
Bottom Line: For clarity and strength on big stages, its a solid bet.
Cabinet type: DB 810, 8x10 + tweeter; DB 412, 4x12 + tweeter
Speaker manufacturer: Custom-designed Eminence cast-frame drivers with P.Audio tweeter
Power handling: DB 810, 1,400 watts RMS; DB 412, 1,200 watts RMS
Frequency response: DB 810, 40Hz16kHz; DB 412, 37Hz16kHz
Sensitivity: DB 810, 104dB @ 1W/M; DB 412, 101dB @ 1W/M
Cabinet material: 13-ply birch
Weight: DB 810, 184 lbs; DB 412, 149 lbs
Made in U.S.A.
Puedes ver el resto de mis anuncios aquí:
https://www.hispasonic.com/usuarios/serieb/anuncios
Y mis valoraciones impecables en compra venta en la página de perfil:
https://www.hispasonic.com/usuarios/serieb
Son grandes pero se mueven con mucha facilidad gracias a que llevan ruedas y asas integradas.
Son las mejores pantallas de bajo jamás hechas, así de rotundo, no hay nada que se les acerque en el mercado en términos de calidad de construcción, timbre y presión sonora. Están fabricadas íntegramente en Nueva York y tienen un precio de lista (algo por debajo en tienda) de 2200 euros la DB412 y 2400 euros la DB810. Las dos a 4 Ohm para aprovechar la potencia total del cabezal.
Garantía completa en ambas, estáis totalmente cubiertos por el fabricante y el distribuidor.
Por el momento tiro de fotos de catálogo ya que están precintadas y no quiero que pierdan valor abriendo las cajas, pero en caso de estar totalmente decidido el compañero que quiera quedarse con una no hay problema en abrirla y sacarle todas las fotos que sean necesarias.
El acabado de las dos es Chocolate Thunder (marrón), color que solo se puede pedir a USA por encargo, bastante más caro que la clásica negra de toda la vida.
AGUILAR DB412 CHOCOLATE THUNDER
http://www.aguilaramp.com/products_cabinets_db412.htm
AGUILAR DB810 CHOCOLATE THUNDER
http://www.aguilaramp.com/products_cabinets_db810.htm
Busco para cambio bajos clásicos de gama alta y cuatro cuerdas: Fender Jazz Bass o Precision americanos a ser posible vintage o Custom Shop, Musicman, Rickenbacker, Sadowsky, Nash, Alembic, Wal, Lakland, Modulus, Pedulla, Sandberg, Vigier, Zon, etc. o bien guitarras Fender, Rickenbacker o Gibson.
Dependiendo del valor del instrumento os ofrecería una pantalla o las dos, podemos ajustar si las hubiese diferencias de precio a mi favor o al vuestro.
Lo ideal es que recogierais la pantalla en persona, pero si no os es posible podéis pedir la recogida por la empresa de transportes de vuestra elección si os hacéis cargo de los portes.
En caso de querer comprar una en vez de cambiarla estoy abierto a ofertas razonables, tened en cuenta lo que valen en tienda estas maravillas.
Os recomiendo con toda sinceridad que no dejéis pasar la oportunidad, cualquiera de ellas será vuestra pantalla de bajo definitiva para toda la vida.
Contacto por mensaje privado por favor. Gracias!
UN ARTÍCULO DE LA REVISTA AMERICANA BASSPLAYER SOBRE AMBAS PANTALLAS:
Aguilar: DB 810 & DB 412
By Jonathan Herrera
I COULDNT PLOT BASS CABINET TRENDS ON A SINGLE LINE. Nearly every manufacturer is employing neodymium speakers to save weight, especially in small-format cabs ideal for toting about town, but many are also offering enormous fridge-sized cabs like those tested here. Used to be that if a particularly motivated player (or a well-supported one) wanted a huge cab, Ampeg was pretty much the only game in town. But while the SVT is an undeniable classic with unique charms, its sealed tweeterless design is only one approach to the big-cab concept. Like other cab designers, Aguilar ports its cabs for extended low-frequency response and adds a horn and crossover for treble frequencies. Though Aguilar has previously had an 8x10 (the discontinued S 810) and still has a 4x12 in its line-up (the GS 412), the DB-series cabs are voiced differently. Aguilar wanted to balance hefty low end with an aggressive midrange, and wanted this voice delivered with speed and accuracy to cut through on a big stage.
Both cabs looked fantastic, benefiting from Aguilars relatively recent push into stylish colored tolex coverings that, once seen, make regular old black carpet look lame. On the flip side, though, the tolex revealed scrapes and scratches more readily than carpet ever would. With a cloth grille and subtle metal corners, each cab had a cool vintage vibe, with the Chocolate Thunder color adding a bit of extra flavor. The construction looked tough, and as big cabs tend to spend a lot of time on tour, both Aguilars boast several road-worthy features, including big recessed handles, dolly-style wheels, and rear-baffle skid rails for sliding into a trailer. Theyre missing a reinforced kick plate, however. The rear-mounted jack panel, which is recessed to protect it when the cab is on its back, has all the right connectivity, and a 50-watt L-Pad controls tweeter attenuation.
DB 412
Paired with a variety of big heads, including Aguilars remarkably powerful DB 750, the 412 performed in perfect line with Aguilars intended goal: A broad soundstage with a midrange poke for added presence. It was capable of dangerous volume, and didnt break up with even the most intense high-output, low-frequency attacks. Its not particularly delicate, and it seemed to prefer more aggressive, high-gain playing. The tweeter performed coherently with the drivers, although I found rolling it near off yielded the best full-bodied rock-style tone. It was particularly excellent as a burpy back-bickup fingerstyle cab; its strong lower-midrange presence was well matched to the mid-heavy technique. It didnt shimmer when I played slap, but it did present a thick, barky tone more in line with a classic 70s funk style sound. When I played uptempo, it kept up, without unwelcome blurriness or hesitancy.
DB 810
The DB 810 is a different animal entirely. Where the 4x12 demonstrated an obvious midrange hump in its frequency response, the 8x10 seemed a touch more even throughout the range, and felt fuller in the lows. Its not much like an SVT 8x10 at all. Where the SVT feels like a single wall of propulsive thrust, the DB 810 is more detailed, particularly in its well textured lows. Its B-string capabilities were ample, conveying strong fundamental without ducking in comparison to the higher-register strings. With a touch of distortion courtesy an overdriven tube amp, the DB 810 conveyed the furriness of my pickstyle tone, while retaining its full-spectrum balance and thickness.
The DB 412 and 810 are both welcome additions to the crowded big-cab population. Each offers a distinct voice, the 412 with its strong mids and woody presence, and the 810 with its full lows and across-the-board balance. While I dont have the motivation (or the car) to schlep these monsters, Id consider them strongly if I did. You should, too.
AGUILAR DB 412
Pros: Forward midrange and outrageous volume
Cons: Heavy
Bottom Line: A middleweight monster with output to spare.
AGUILAR DB 810
Pros: Thick lows and impressively balanced string-to-string coherence for a large multi-driver cab
Cons: Heavy
Bottom Line: For clarity and strength on big stages, its a solid bet.
Cabinet type: DB 810, 8x10 + tweeter; DB 412, 4x12 + tweeter
Speaker manufacturer: Custom-designed Eminence cast-frame drivers with P.Audio tweeter
Power handling: DB 810, 1,400 watts RMS; DB 412, 1,200 watts RMS
Frequency response: DB 810, 40Hz16kHz; DB 412, 37Hz16kHz
Sensitivity: DB 810, 104dB @ 1W/M; DB 412, 101dB @ 1W/M
Cabinet material: 13-ply birch
Weight: DB 810, 184 lbs; DB 412, 149 lbs
Made in U.S.A.
Puedes ver el resto de mis anuncios aquí:
https://www.hispasonic.com/usuarios/serieb/anuncios
Y mis valoraciones impecables en compra venta en la página de perfil:
https://www.hispasonic.com/usuarios/serieb
