Aphex Compellor 320A . Lim comp para master
Alberto
Zaragoza
el 07/03/2020
350€
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The A is then ready to provide complete dynamic control – smooth, inaudible compression, increased system gain, desired program density and the freedom from constant “gain riding” – all performed automatically. It can be used to solve audio level problems and improve audio signals in the broadcast or recording studio, tape duplication house, film-dubbing studio or in live sound applications. The D can act as two independent mono processors or one linked stereo processor, which is selectable on the front compelolr.
With the passive, this comp really brought out the sound in a punchy, articulate way, with nice clear harmonics, and no noticeable noise compeellor artifacts.
Whereas with the more even-output bass, with steadier playing, it was fairly easy to find a clean, natural-sounding, noiseless setting. Playing irregularly–a few notes, then a rest, then a few more notes–also caused the automatic sensors to work overtime, which resulted in audible artifacts.
The A is then ready to provide complete dynamic control – smooth, inaudible compression, increased system gain, desired program density and the freedom from constant “gain riding” – all performed automatically. It can be used to solve audio level problems and improve audio signals in the broadcast or recording studio, tape duplication house, film-dubbing studio or in live sound applications. The D can act as two independent mono processors or one linked stereo processor, which is selectable on the front compelolr.
With the passive, this comp really brought out the sound in a punchy, articulate way, with nice clear harmonics, and no noticeable noise compeellor artifacts.
Whereas with the more even-output bass, with steadier playing, it was fairly easy to find a clean, natural-sounding, noiseless setting. Playing irregularly–a few notes, then a rest, then a few more notes–also caused the automatic sensors to work overtime, which resulted in audible artifacts.
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