Dudas sobre como hacer mi cabinaDJ opiniones please
OFERTASVer todas
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beyerdynamic DT-770 Pro
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-8%Behringer X Air XR18
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-35%Set de grabación completo de Focusrite
Con la EQ yo suelo tener los Graves subidos pero es por la EQ del Local y por que para el R'n'B, Rap y demas musica negra hay que resaltarlos un poco para coger ese punto de Medios/Graves que se te meten en el Pecho.
Con lo de las capsulas habeis probado las Shure M44-7, aunque al final vendere la Scratch y cogere las Q-Bert.
Charly tu no eres de Lega, Pasate Por el Garito el DJ de los Sabados Tiene la Rodec, preguntale a lo mejor hasta le conoces.
Con lo de las capsulas habeis probado las Shure M44-7, aunque al final vendere la Scratch y cogere las Q-Bert.
Charly tu no eres de Lega, Pasate Por el Garito el DJ de los Sabados Tiene la Rodec, preguntale a lo mejor hasta le conoces.
mod
mod
los pfl son de boton en vez de tecla,tiene 4 phono,logo que se ilumina en rojo al encender,los rasgos blancos por la noche se ven,pesa 1 kilo menos,componentes mejorados,vamos algunas mejoras notables y + estetica:con algunas pijadillas.vamos la diferencia de precio no lo vale.
MX180 limited edition
Front panel in brushed aluminium of 6mm thick (19 inch – 7HE) with 50 year rings.
Red illuminating RODEC logo.
Four multiple input-channels (Line+Line+Mic+Phono) + one DJ-mic channel.
Specially designed high quality input stages to reduce disturbances from the outside.
Gain and 3-channel tone control on all input channels.
Balance/panoramic control on all input channels.
Channel PFL select with pushbuttons with LED-indicator
Soft touch fader- and rotative knobs for better grip.
Easy-slide 60mm ALPS faders.
Crossfader between channels 1-2 and 3-4.
Four LED VU-meters. Range from -40dB to +3dB. The first two show the PFL signal and the last two show the output signals, selectable with a rotative switch.
Two master outputs + one monitor output (DJ-microphone free).
2 Electronical symmetrical outputs for better signal transmissions.
Four record-outputs also useable as aux-output.
Music effects insert connectors (JACK) to connect external effect units.
Headphones signal mix potmeter to mix between PFL- and MIX-signal.
A very powerful headphones-output.
Second headphones-connector on the backpanel.
Torodial transformer
Power mains-filter.
A very robust slanted (25°) bottombox.
SPECIFICATIONS
Inputs Input sensitivity
4 x PHONO 5.2mV / 50kΩ
4 x MD / AUX 500mV / 50kΩ
4 x CD / DAT 500mV / 50kΩ
4 x MIC symm. 9.1mV / 4kΩ
1 x MIC DJ symm. 4.2mV / 1.2kΩ
1 x MIC DJ assymm. 3.0mV / 22kΩ
Outputs
1 x Master symm. 1.55V/600Ω
1 x Master assymm. 755V/10kΩ
1 x Monitor assymm. 755V/10kΩ
1 x Effects insert DJ-mic 755V/10kΩ
1 x Effects insert music 755V/10kΩ
4 x Recording 500mV/10kΩ
1 x Phones 12V/600Ω
THD: < 0.01%
Tone controls: - Bass +/-13dB @ 100Hz
- Middle +/-13dB @ 1kHz
- High: +/-13dB @ 10kHz
Subsonic filter: -25dB @ 10Hz
Power source: - standard: 230V / 50Hz-60Hz
- on request: 100V-117V / 50Hz-60Hz
Fuse: T500mA
Power consumption: OFF=2.0VA ON=23.4VA
Approbation: CE-approved
Dimensions: - Front: 482mm x 266mm (19" x 6HE)
- Chassis: 444mm x 254mm x 120mm
Weight: 6.02kg
MX180 MKIII
FIELD OF APPLICATION
Large Clubs.
Drive-in shows.
Professional DJ's.
STANDARD FEATURES
Very robust 19 inch - 7HE - 25° slanted mixing panel.
Frontplate with dark grey satin finish and fosfo printing that lightens up in the dark.
Large input possibilities: 17 inputs.
4 Input channels Switchable Phono, CD/DAT, MD/AUX, or Microphone.
1 Distinctive Microphone channel with talk-over control and the possibility to insert external effect apparatus or equalizer.
Specially designed high quality input stages to reduce disturbances from the outside.
Gain control, triple equalizer tone control, Balance/Panorama and PFL on all channels.
Short 60mm new easy-slide ALPS channel faders for fast mixing.
Soft touch fader- and rotative knobs for a better grip.
Crossfader for easy fading between channels 1-2 and 3-4.
Four LED VU-meters. Range from -40dB to +3dB. The first two monitor the PFL or split signal and the last two monitor the output signals, selectable with a rotative selection switch.
Very powerful headphones output with volume control.
Second headphones-connector on the backpanel.
Mono/stereo switch.
Two fader controlled master outputs + one monitor output (DJ-microphone free).
Four record-outputs also useable as aux-output.
Possibility to record without DJ-mic.
Standard electronical symmetrical outputsforbettersignal transmissions.
High headroom reserve (upto +24dBm).
Subsonic-filter.
36V voltage-supply for high dynamics on all in- and outputs.
Fast and noise-free inputs for the CD, MD and DAT signal sources.
C&K switches with gold plated contacts in the signalways.
Easily replaceable ALPSfaders and crossfader with connectors.
Long life dust-free ALPS rotative potentiometers and input selector switches.
Torodial transformer.
Power-mains filter.
All handmade and handsoldered PCB-boards.
Penny & Giles long life studiomodel channel-faders.
Remote start button on all input-channels.
OPTIONS
Penny & Giles long life studiomodel channel-faders.
Remote start button on all input-channels.
SPECIFICATIONS
Inputs Input sensitivity Signal / Noise Ratio Remarks
4 x PHONO 2.3mV / 50kΩ < -80dB RIAA correction
4 x MD / AUX 220mV / 50kΩ < -92dB
4 x CD / DAT 220mV / 50kΩ < -92dB
4 x MIC symm. 4.0mV / 4kΩ < -83dB
1 x MIC DJ symm. 0.7mV / 1.2kΩ < -85dB
1 x MIC DJ assymm. 0.5mV / 22kΩ < -89dB
Outputs
1 x Master symm. 3.3V/600Ω Subsonic filter
1 x Master assymm. 1.55V/10kΩ Subsonic filter
1 x Monitor assymm. 775V/10kΩ Subsonic filter
4 x Recording 500mV/10kΩ Recording out selector
1 x Phones 12V/600Ω Phones 200-600Ω
THD: < 0.01%
Tone controls: - Bass +/-13dB @ 100Hz
- Middle +/-13dB @ 1kHz
- High: +/-13dB @ 10kHz
Subsonic filter: -25dB @ 10Hz
Power source: - standard: 230V / 50Hz-60Hz
- on request: 100V-117V / 50Hz-60Hz
Fuse: T315mA (230V) / T630mA (100V-117V)
Power consumption: OFF=2.0VA ON=34.5VA
Approbation: CE-approved
Dimensions: - Front: 482mm x 310mm (19" x 7HE)
- Chassis: 444mm x 295mm x 150mm
Weight: 7.4kg
MX180 limited edition
Front panel in brushed aluminium of 6mm thick (19 inch – 7HE) with 50 year rings.
Red illuminating RODEC logo.
Four multiple input-channels (Line+Line+Mic+Phono) + one DJ-mic channel.
Specially designed high quality input stages to reduce disturbances from the outside.
Gain and 3-channel tone control on all input channels.
Balance/panoramic control on all input channels.
Channel PFL select with pushbuttons with LED-indicator
Soft touch fader- and rotative knobs for better grip.
Easy-slide 60mm ALPS faders.
Crossfader between channels 1-2 and 3-4.
Four LED VU-meters. Range from -40dB to +3dB. The first two show the PFL signal and the last two show the output signals, selectable with a rotative switch.
Two master outputs + one monitor output (DJ-microphone free).
2 Electronical symmetrical outputs for better signal transmissions.
Four record-outputs also useable as aux-output.
Music effects insert connectors (JACK) to connect external effect units.
Headphones signal mix potmeter to mix between PFL- and MIX-signal.
A very powerful headphones-output.
Second headphones-connector on the backpanel.
Torodial transformer
Power mains-filter.
A very robust slanted (25°) bottombox.
SPECIFICATIONS
Inputs Input sensitivity
4 x PHONO 5.2mV / 50kΩ
4 x MD / AUX 500mV / 50kΩ
4 x CD / DAT 500mV / 50kΩ
4 x MIC symm. 9.1mV / 4kΩ
1 x MIC DJ symm. 4.2mV / 1.2kΩ
1 x MIC DJ assymm. 3.0mV / 22kΩ
Outputs
1 x Master symm. 1.55V/600Ω
1 x Master assymm. 755V/10kΩ
1 x Monitor assymm. 755V/10kΩ
1 x Effects insert DJ-mic 755V/10kΩ
1 x Effects insert music 755V/10kΩ
4 x Recording 500mV/10kΩ
1 x Phones 12V/600Ω
THD: < 0.01%
Tone controls: - Bass +/-13dB @ 100Hz
- Middle +/-13dB @ 1kHz
- High: +/-13dB @ 10kHz
Subsonic filter: -25dB @ 10Hz
Power source: - standard: 230V / 50Hz-60Hz
- on request: 100V-117V / 50Hz-60Hz
Fuse: T500mA
Power consumption: OFF=2.0VA ON=23.4VA
Approbation: CE-approved
Dimensions: - Front: 482mm x 266mm (19" x 6HE)
- Chassis: 444mm x 254mm x 120mm
Weight: 6.02kg
MX180 MKIII
FIELD OF APPLICATION
Large Clubs.
Drive-in shows.
Professional DJ's.
STANDARD FEATURES
Very robust 19 inch - 7HE - 25° slanted mixing panel.
Frontplate with dark grey satin finish and fosfo printing that lightens up in the dark.
Large input possibilities: 17 inputs.
4 Input channels Switchable Phono, CD/DAT, MD/AUX, or Microphone.
1 Distinctive Microphone channel with talk-over control and the possibility to insert external effect apparatus or equalizer.
Specially designed high quality input stages to reduce disturbances from the outside.
Gain control, triple equalizer tone control, Balance/Panorama and PFL on all channels.
Short 60mm new easy-slide ALPS channel faders for fast mixing.
Soft touch fader- and rotative knobs for a better grip.
Crossfader for easy fading between channels 1-2 and 3-4.
Four LED VU-meters. Range from -40dB to +3dB. The first two monitor the PFL or split signal and the last two monitor the output signals, selectable with a rotative selection switch.
Very powerful headphones output with volume control.
Second headphones-connector on the backpanel.
Mono/stereo switch.
Two fader controlled master outputs + one monitor output (DJ-microphone free).
Four record-outputs also useable as aux-output.
Possibility to record without DJ-mic.
Standard electronical symmetrical outputsforbettersignal transmissions.
High headroom reserve (upto +24dBm).
Subsonic-filter.
36V voltage-supply for high dynamics on all in- and outputs.
Fast and noise-free inputs for the CD, MD and DAT signal sources.
C&K switches with gold plated contacts in the signalways.
Easily replaceable ALPSfaders and crossfader with connectors.
Long life dust-free ALPS rotative potentiometers and input selector switches.
Torodial transformer.
Power-mains filter.
All handmade and handsoldered PCB-boards.
Penny & Giles long life studiomodel channel-faders.
Remote start button on all input-channels.
OPTIONS
Penny & Giles long life studiomodel channel-faders.
Remote start button on all input-channels.
SPECIFICATIONS
Inputs Input sensitivity Signal / Noise Ratio Remarks
4 x PHONO 2.3mV / 50kΩ < -80dB RIAA correction
4 x MD / AUX 220mV / 50kΩ < -92dB
4 x CD / DAT 220mV / 50kΩ < -92dB
4 x MIC symm. 4.0mV / 4kΩ < -83dB
1 x MIC DJ symm. 0.7mV / 1.2kΩ < -85dB
1 x MIC DJ assymm. 0.5mV / 22kΩ < -89dB
Outputs
1 x Master symm. 3.3V/600Ω Subsonic filter
1 x Master assymm. 1.55V/10kΩ Subsonic filter
1 x Monitor assymm. 775V/10kΩ Subsonic filter
4 x Recording 500mV/10kΩ Recording out selector
1 x Phones 12V/600Ω Phones 200-600Ω
THD: < 0.01%
Tone controls: - Bass +/-13dB @ 100Hz
- Middle +/-13dB @ 1kHz
- High: +/-13dB @ 10kHz
Subsonic filter: -25dB @ 10Hz
Power source: - standard: 230V / 50Hz-60Hz
- on request: 100V-117V / 50Hz-60Hz
Fuse: T315mA (230V) / T630mA (100V-117V)
Power consumption: OFF=2.0VA ON=34.5VA
Approbation: CE-approved
Dimensions: - Front: 482mm x 310mm (19" x 7HE)
- Chassis: 444mm x 295mm x 150mm
Weight: 7.4kg
mod
mod
pues entonces te has liado tu solo pq aunke sea la limited edition la normal no tiene nada que envidiar asi que la verdad preferira una xone 92 o una vestax pcm cx y se acabo la discusion.
Eso si aparte de todo te kedas con una buena mesa pero no aconsejable en los tiempos que corren para mi gusto pero es tu dinero y tu haces lo que quieres!!! Enga disfrutala
Eso si aparte de todo te kedas con una buena mesa pero no aconsejable en los tiempos que corren para mi gusto pero es tu dinero y tu haces lo que quieres!!! Enga disfrutala
que noooooooooo,que yo no me he liado,vamos a ver si por el mismo precio que cuesta la normal,me puedo pillar la lm,pues muchisimo mejor no?
ademas las vestax no me gustan nada,y la xone92 es una buena mesa,pero me decanto mucho mas por la rodec.
y para los tiempos que corren que pasa,que los que la tienen en su local o casa ya no les vale?
yo creo que no,que por muy antigua que sea no hay nada igual.
salu2
ademas las vestax no me gustan nada,y la xone92 es una buena mesa,pero me decanto mucho mas por la rodec.
y para los tiempos que corren que pasa,que los que la tienen en su local o casa ya no les vale?
yo creo que no,que por muy antigua que sea no hay nada igual.
salu2
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