..yo ya le meti mano pero 10 minutejos..y con bastante desconocimiento de la mesa la verdad..pero si he de confesar que la sigo mirando y observando muy de cerca..
que la evo5 no hace lo mismo por menos y con más canales?
#34
Evo 5
FireWire sound card:
24 bit stereo analogue to digital and digital to analogue converters
Sample rate can be set to 96kHz, 88.2kHz, 48kHz or 44.1kHz
12 channels - 6 stereo inputs and 6 stereo outputs
2 FireWire 6 pin connection IEEE1394 (Hub)
Stereo channels:
Channels: 4
Channel gain: Off to +10dB
Channel EQ: 3-band
EQ styles: Choose between Kill and Baxandall (Kill by default)
EQ frequencies: Fully editable
EQ range: Fully editable (Off to +10dB by default)
Inputs:
Phono inputs: 4
Line inputs: 4
MIC input (XLR): 1
MIDI input (DIN5 180�): 1
Outputs:
Output 1 (XLR): 1
Output 1 (RCA): 1
Output 2 (RCA): 1
MIDI Out (DIN5 180�): 1
Crossfader:
Type: Long life digitally controlled
Shape: Shape adjust control
Faders:
Type: Long life digitally controlled
Shape: Shape adjust control
TFT Screen:
Type: Full colour
Dimensions: 320 x 240 pixels (3.5")
Effects:
Basic Effects: Delay/Echo, Filter, Flanger, Phaser, Transformer, Panoramic, Pitch and Reverb
Customized effects: 64 (2 different effects chained and edited)
Sound processor: 24bit/96kHz
Auto BPM Counter: Yes (editable via software)
Oscillation patterns: Yes
Dry/Wet crossfader: Shape adjust editable via software
MIDI Control:
Dedicated controls: 14
Mixer controls: 55
Layouts: 64
Edition: Fully editable commands via software
Connections: FireWire and MIDI In and MIDI Out DIN5 180�
Mic:
Mic EQ: 3-band
Talkover: Fully editable release time and attenuation
Mic effects: Noise Gate and Compressor (fully editable)
DB4
Quad FX Core
The heart of the Xone:DB4 is the powerful Quad FX Core DSP engine, enabling each channel to have its own FX bank and BPM detection system, which automatically adjusts all time-related FX and loops to the tempo of the music. There are 5 studio quality FX types optimised for DJ use - delays, reverbs, modulators, resonators and damage – plus each FX type has a patch library of different effect variations. Each FX bank has a dedicated expression control and a rotary pot to set the wet/dry level, whilst further tweaking can be performed using the global controllers in the FX master section.
Looper
Each channel has a built-in looper, with selectable loop length from 1/16 beat to 4 bars. :DB4 will always record the full 4 bars, so the loop can be expanded or shrunk at will.
Filters
:DB4 comes equipped with the Xone dual filter system.
Source select
Each music channel can select any of the available stereo music sources: Analogue Line 1-4 (switchable to Phono on 2-3), Digital 1-4 or USB 1-4.
EQ / Filter
Each music channel has a 3-band EQ that can be configured as standard asymmetric EQ (+6/-25dB), Isolator (+6dB/OFF with a 24dB/octave slope), or reconfigured as a High-Pass/Low-Pass filter system with adjustable resonance. EQ knob pointers change colour to show which type of equalization is active.
Mic/Line Input
The Mic/Line input has 2-band EQ, gain, cue and mix level. This can also be routed to channel 1 for adding FX.
Integral Soundcard
A built-in, high quality (24-bit / 96kHz), multi-channel, fully patchable USB2 soundcard allows replay and recording from audio software for 4 stereo sends and 4 stereo returns.
USB
User-defined settings such as meter mode, BPM range, USB audio routing scheme and display brightness can be saved to a USB key for recall on another :DB4.
MIDI control
All controls (except Mic and Phones level) send MIDI data and the mixer can double up as a MIDI controller via the MIDI shift button, allowing the Loop and FX selection controls to send MIDI data without changing the mixer settings.
Output Patchbay
Booth, record and phones - source selectable and level trim. Booth and main - phase and level trim controls.
High Visibility Display
The OLED display is clearly visible, even in bright sunlight, and displays channel FX selection and current BPM, as well as being an easy interface for the Menu setup functions.
Lightweight chassis
:DB4’s lightweight aluminium chassis is designed to make touring with the console easy.
Creo que la única diferencia es que en el db4 hay efectos por canal y en al evo 5 es global. Pero la evo 5 tiene más efectos.
como pegue un bajon a 1600 o asi..igual se me calienta la cabeza y le digo chao a la 4d..
cada vez me tiene mas picado el mixer recobrando info leyendo previews..y viendo la salida que tiene en el mercado..no me molaria encontrarme con un mixer que saquen firmware cada quinquenio..vamos que no pase como la korg zero..que eran brutales esos mixers..y dejaron a los usuarios tirados sin actualizaciones..
Con los de Ecer pasó lo mismo con los updates de firmware, desde hace mas de dos años no sale nada nuevo para la Evo 4, y lo que sacaron solamente era para corregir fallos, y todavía existe alguno...
hombre confiemos en que eso no suceda..hablamos de allen&heath un firma muy prestigiosa y puntera en los ultimos años..pero por si acaso hay que ver que salida tiene en el mercado..y hasta que punto baja de precio..que lo hara..estoi seguro que lo hara aun mas..
Aparte A&H de tal vez ya sacara una actualizacion de sus controladores 1D y 2D para utilizar el puerto ethernet que lleva el mixer en la parte de atras y/o mas efectos por si 50 tipos de ellos no fuera suficiente
Otra cosa posible es integracion con un ipad atravez de una aplicacion o algo asi al estilo de su serie iLive, pero sea cualquier cosa cada vez que veo esta mesa me llama mas.