Buenas! Quería consultar a cerca de la mezcla que vi en este template/plantilla en donde un grupo donde reúne los "Drums" (Kick, Snare, Clap, etc), pasándolo a un "Drum Buss" pero recogiendo también otro grupo de percusiones (Shakers, toms, rimshots, etc). Si ya se procesa todo individualmente a cada pista (añadiendo efectos como saturados, eq, etc), de ahi, se mandan al grupo "DRUMS" donde se vuelve a procesar con efectos (eq, compresor, etc) y de ahi mandándolos al drum buss (con efectos de nuevo, eq, compresor, saturado, etc)....son demasiados procesos donde quizá se repite un poco los mismo, efectos y efectos....nose si es realmente es necesario hacer tanta progresión. Adjunto captura para que puedan ver el template de mezcla. Me gustaría saber si alguien trabaja igual con este proceso o simplemente se pueden ahorrar pasos. Quiero entender esta plantilla de mezcla, conocer opiniones a cerca de trabajar uniendo estos "grupos" en un solo "Drum Buss". Por lo que veo también hay busses de bajos, voces...
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Sorteo Mercasonic
Consulta mezcla y buses
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Novation FLkey Mini
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Buenas, aver si esto te resuelve.
Commonly when musicians and mixing engineers think of parallel processing, the think of using a dry/wet knob to control the blend of wet and dry signals. This however is only one way to do parallel processing. Another way is to use parallel tracks or buses to accomplish the same thing. In Ableton Live you can route audio from a single track or a bus into another track's input, turn the monitor to "in" and the new track will "listen" to the other track and here you can add additional processing that you can blend in with the faders. Whats nice about this tactic is that you can set your mix up to make full use of faders while listening to create a tactile workflow.
https://www.youtube.com/watch?v=XyRjeKEmRDw
Commonly when musicians and mixing engineers think of parallel processing, the think of using a dry/wet knob to control the blend of wet and dry signals. This however is only one way to do parallel processing. Another way is to use parallel tracks or buses to accomplish the same thing. In Ableton Live you can route audio from a single track or a bus into another track's input, turn the monitor to "in" and the new track will "listen" to the other track and here you can add additional processing that you can blend in with the faders. Whats nice about this tactic is that you can set your mix up to make full use of faders while listening to create a tactile workflow.
https://www.youtube.com/watch?v=XyRjeKEmRDw
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