http://www.kurtsequipment.com/recordingpage.htm
Recording of 'Nevermind'
"Nevermind" was recorded at Sound City, Van Nuys and Devonshire, North Hollywood studios. It was produced by Butch Vig and NIRVANA. With the monetary advance for recording the album the band had more money to choose equipment; Kurt bought "a bunch" of guitars and effects from Guitar Maniacs (57).
The guitars used were his competition Mustang, his Jaguar, and a new Stratocaster(s) with humbuckers in the bridge positions (6). Kurt purchased a bunch of Japanese Strats (had humbuckers installed in the bridges) and effects for this album from Rick King of Guitar Maniacs. Just prior to recording this album Kurt apparently developed a taste for Fender guitars. It has been said his main amp was a Mesa/Boogie Studio .22 but the recording setup was really similar, if not identical, to his upcoming live setup (purchased before entering the studio): Mesa/Boogie Studio Preamp with a Crown power amp and a variety of Marshall cabinets. In live performances, his Crown power amp was eventually replaced with 2 Crest power amps, discussed in the "Amplification" section (57). He also used a Fender Bassman on about four songs and a Vox AC30 for some clean tracks. Four microphones were used to mic Kurt's speaker cabinet (he would pick which mic he liked best for each song and its signal was sent through the Neve console at Sound City): a Shure SM57, an AKG 414, a Neumann U87, and occasionally a Sennheiser 421. His main effects were the DS-1 Distortion and Small Clone. A ProCo Rat distortion pedal was also used on some songs on the album (6).
According to Vig, the Small Clone was the key to "the watery guitar sound you hear on the pre-chorus build-up of 'Smells Like Teen Spirit' and also 'Come As You Are.'" An Electro-Harmonix Big Muff fuzz box was used on "Lithium" for that "dark, thumpier sound." Vig recalls using the U87 mike on "Lithium" because it wasn't so bright and had a heavier sound.
"Polly" was recorded at Vig's Smart Studios in Madison, Wisconsin during demo sessions for "Nevermind" with his 12-string Harmony Stella. It only had 5 nylon strings on it that were never changed. Tuned down about a step and a half from E and recorded with an AKG 414 microhone (See "Guitars" section).
Otra muy buena:
http://www.livenirvana.com/documents/mojonevermind.html
Recording of 'Nevermind'
"Nevermind" was recorded at Sound City, Van Nuys and Devonshire, North Hollywood studios. It was produced by Butch Vig and NIRVANA. With the monetary advance for recording the album the band had more money to choose equipment; Kurt bought "a bunch" of guitars and effects from Guitar Maniacs (57).
The guitars used were his competition Mustang, his Jaguar, and a new Stratocaster(s) with humbuckers in the bridge positions (6). Kurt purchased a bunch of Japanese Strats (had humbuckers installed in the bridges) and effects for this album from Rick King of Guitar Maniacs. Just prior to recording this album Kurt apparently developed a taste for Fender guitars. It has been said his main amp was a Mesa/Boogie Studio .22 but the recording setup was really similar, if not identical, to his upcoming live setup (purchased before entering the studio): Mesa/Boogie Studio Preamp with a Crown power amp and a variety of Marshall cabinets. In live performances, his Crown power amp was eventually replaced with 2 Crest power amps, discussed in the "Amplification" section (57). He also used a Fender Bassman on about four songs and a Vox AC30 for some clean tracks. Four microphones were used to mic Kurt's speaker cabinet (he would pick which mic he liked best for each song and its signal was sent through the Neve console at Sound City): a Shure SM57, an AKG 414, a Neumann U87, and occasionally a Sennheiser 421. His main effects were the DS-1 Distortion and Small Clone. A ProCo Rat distortion pedal was also used on some songs on the album (6).
According to Vig, the Small Clone was the key to "the watery guitar sound you hear on the pre-chorus build-up of 'Smells Like Teen Spirit' and also 'Come As You Are.'" An Electro-Harmonix Big Muff fuzz box was used on "Lithium" for that "dark, thumpier sound." Vig recalls using the U87 mike on "Lithium" because it wasn't so bright and had a heavier sound.
"Polly" was recorded at Vig's Smart Studios in Madison, Wisconsin during demo sessions for "Nevermind" with his 12-string Harmony Stella. It only had 5 nylon strings on it that were never changed. Tuned down about a step and a half from E and recorded with an AKG 414 microhone (See "Guitars" section).
Otra muy buena:
http://www.livenirvana.com/documents/mojonevermind.html
. No voy a perder el tiempo porque eso no es del hilo y no viene al caso pero bueno eso demuestra que no sabes estar a la altura esperaba una respuesta mas... elaborada, no cuesta nada sacar mierda, y ademas de donde no la hay. 
