Buenas necesitaba ayuda con un contrato discográfico que está en inglés, se inglés pero el tema legal y eso...como es mi primer contrato necesitaba si alguien me podría hechar una mano lo voy a subir a ver que podéis hacer
Ayuda con contrato
No te puedo ayudar... recuerdo cuando me intentaron fichar los de la Warner Music, antes de firmar el contrato me comentaron que no iba a tener el control artístico sobre mis temas, les dije: FORGET!!... así de sencillo... porque yo no me vendo por nada ni por nadie... y aquí sigo pidiendo en la calle con mi guitarra acústica... hoy he sacado la friolera cantidad de 3,5 euros ¡¡wow!!...
This contract between Ohman Records (hereinafter refer ed to as the "Agreement") executed and
effective this day of , 20 , by and between (Artist)
(hereinafter refer ed to as the "Artist") and (Ohman Records) (hereinafter refer ed to as the "Company"):
IT IS HEREBY UNDERSTOOD
a. Company is an organization, which specializes in the management, recording, recording distribution and representation of musical artists;
b. Company is familiar with the musical abilities of Artist and has the expertise, ability, industry contacts and resources to assist Artist in the furtherance of his/ her career.
c. Artist performs under the name "(Artist's Stage Name)"
d. Company and Artist wish to enter into this Agreement to provide for the production and distribution of the Recording.
IT IS, THEREFORE, AGREED AS FOLLOWS:
A. TERM. The effectiveness of this Agreement shall commence with its execution by all of the parties, and shall continue thereafter for a period of (#) years.
B. PRODUCTION OF RECORDING. The Recording shall be produced in the following manner:
1. PRODUCTION. Company agrees to produce one master recording consisting of songs written and performed by Artist (hereinafter refer ed to as the "Songs". The resulting recording (hereinafter refer ed to as the "Recording") shall include music of not less than forty (40) minutes in playing duration, and shall be of a quality which is equal to master recordings normally produced for commercial distribution.
2. CONTRIBUTION BY ARTIST. Artist agrees to full cooperate with the Company, in good faith, in the production of the Recording; to contribute to such production the music and lyrics embodied in the Songs; to ar ange, direct and perform the Songs in such a manner as to facilitate the production of the Recording; and to otherwise strictly observe the remaining duties and obligations of this Agreement.
3. COSTS. Company shall be responsible for all costs incur ed in the production of the Recording, including the prepayment of all travel, hotel and meal costs incur ed by Artist in attending the
recording sessions referenced in Section B.5 herein. Company may recover such receipted expenses pursuant to the production of master recordings or the advancement of the Artist's career. Company's production, promotion, manufacturing and all other bonafide expenses relating to Artist are deemed recoupable from gross income.
4. ARTISTIC CONTROL. Company and Artist shall be jointly responsible for all decisions regarding the artistic content of the Recording.
5. DATES AND LOCATION OF RECORDING SESSIONS. The recording sessions necessary to produce the Recording shall occur at studios and facilities chosen by The( Artists) (city)
(State), commencing on , 20 and ending on , 20 .
6. ADDITIONAL MUSICIANS. Company shall provide and compensate sufficient and competent musicians to properly perform the Songs, as ar anged and directed by Artist and Producer. Company may recover such costs pursuant to Section B3. herein.
7. TITLE. The title of the Recording shall be chosen by agreement between the Company and the Artist.
8. COMPLETION AND RELEASE. The Recording shall be completed and prepared for release and distribution on or before , 20 . Company and Artist acknowledge that time is of the essence in the completion of the Recording, and each agree to exercise all reasonable means to achieve such completion.
9. ASSIGNMENT OF EXCLUSIVE RIGHTS BY ARTIST. Upon the timely occur ence and performance of all material events and obligations required to produce the Recording, Artist shall assign to the Company all of his/ her rights, title, and interest in and to the following property, for distribution and commercial exploitation in All ter itories:
a. The Songs,
b. Artist's performance of the Songs contained in the Recording,
c. The title of the Recording
Signature of Artists Number of Tracks Per Term
About Digital Release and Royalty Information Artists Will Receive 50% on Each Song and 40% of Public Broadcast To Qualifying Artists We advice artists to put more effort on promotion,if the artists lack promotion we will be forced to terminate the contract at any time during the process of production or anything related to us and the artists Will be forced to be removed,but as the label we will be responsible and own the rights of tracks released under us
Information about Digital Stores
8Tracks Addictech Apple Music Akazoo
Amazon Music (Download) Amazon Music (Streaming) Anghami
Audible Magic Beatport Boom (UMA) Claro Music
CUR Music (Medianet) Deezer
Digitally Imported Dubseed
Dubset Media DJ Tunes eMusic
Express In Music Gracenote Google Play Groove (Xbox) iHeartRadio IMSTREAM
iTunes J uno
J oMedia (Medianet) Mail.ru (UMA) Medianet Noiseporn
Orfium OK.RU TIDAL
Trackitdown Meo Music Mix Upload
Napster (Rhapsody) Pandora
Prime Music Promo Only Pulselocker Qobuz saavn Shazam Sirius XM Soundcloud Spinlet Spotify Traxsource
United Media Agency (UMA) VK.ru (UMA)
KK Box (South Korea) PYRO Music (EDM in China) iNDIEVOX (Taiwan) Yonder Music (Malaysia) VL Group
VEVO
whatpeopleplay Weyv Yandex
YouTube Content ID YouTube Red ZVOOQ
Zonga Romania (Medianet)
We look
at distribution with a method getting the maximum return for your material as possible with a focus on partners that will ensure a return on your investment of time, money, and hard work. These partners reflect not only domestic but vast international coverage and extend beyond a standard download store or streaming provider.
effective this day of , 20 , by and between (Artist)
(hereinafter refer ed to as the "Artist") and (Ohman Records) (hereinafter refer ed to as the "Company"):
IT IS HEREBY UNDERSTOOD
a. Company is an organization, which specializes in the management, recording, recording distribution and representation of musical artists;
b. Company is familiar with the musical abilities of Artist and has the expertise, ability, industry contacts and resources to assist Artist in the furtherance of his/ her career.
c. Artist performs under the name "(Artist's Stage Name)"
d. Company and Artist wish to enter into this Agreement to provide for the production and distribution of the Recording.
IT IS, THEREFORE, AGREED AS FOLLOWS:
A. TERM. The effectiveness of this Agreement shall commence with its execution by all of the parties, and shall continue thereafter for a period of (#) years.
B. PRODUCTION OF RECORDING. The Recording shall be produced in the following manner:
1. PRODUCTION. Company agrees to produce one master recording consisting of songs written and performed by Artist (hereinafter refer ed to as the "Songs". The resulting recording (hereinafter refer ed to as the "Recording") shall include music of not less than forty (40) minutes in playing duration, and shall be of a quality which is equal to master recordings normally produced for commercial distribution.
2. CONTRIBUTION BY ARTIST. Artist agrees to full cooperate with the Company, in good faith, in the production of the Recording; to contribute to such production the music and lyrics embodied in the Songs; to ar ange, direct and perform the Songs in such a manner as to facilitate the production of the Recording; and to otherwise strictly observe the remaining duties and obligations of this Agreement.
3. COSTS. Company shall be responsible for all costs incur ed in the production of the Recording, including the prepayment of all travel, hotel and meal costs incur ed by Artist in attending the
recording sessions referenced in Section B.5 herein. Company may recover such receipted expenses pursuant to the production of master recordings or the advancement of the Artist's career. Company's production, promotion, manufacturing and all other bonafide expenses relating to Artist are deemed recoupable from gross income.
4. ARTISTIC CONTROL. Company and Artist shall be jointly responsible for all decisions regarding the artistic content of the Recording.
5. DATES AND LOCATION OF RECORDING SESSIONS. The recording sessions necessary to produce the Recording shall occur at studios and facilities chosen by The( Artists) (city)
(State), commencing on , 20 and ending on , 20 .
6. ADDITIONAL MUSICIANS. Company shall provide and compensate sufficient and competent musicians to properly perform the Songs, as ar anged and directed by Artist and Producer. Company may recover such costs pursuant to Section B3. herein.
7. TITLE. The title of the Recording shall be chosen by agreement between the Company and the Artist.
8. COMPLETION AND RELEASE. The Recording shall be completed and prepared for release and distribution on or before , 20 . Company and Artist acknowledge that time is of the essence in the completion of the Recording, and each agree to exercise all reasonable means to achieve such completion.
9. ASSIGNMENT OF EXCLUSIVE RIGHTS BY ARTIST. Upon the timely occur ence and performance of all material events and obligations required to produce the Recording, Artist shall assign to the Company all of his/ her rights, title, and interest in and to the following property, for distribution and commercial exploitation in All ter itories:
a. The Songs,
b. Artist's performance of the Songs contained in the Recording,
c. The title of the Recording
Signature of Artists Number of Tracks Per Term
About Digital Release and Royalty Information Artists Will Receive 50% on Each Song and 40% of Public Broadcast To Qualifying Artists We advice artists to put more effort on promotion,if the artists lack promotion we will be forced to terminate the contract at any time during the process of production or anything related to us and the artists Will be forced to be removed,but as the label we will be responsible and own the rights of tracks released under us
Information about Digital Stores
8Tracks Addictech Apple Music Akazoo
Amazon Music (Download) Amazon Music (Streaming) Anghami
Audible Magic Beatport Boom (UMA) Claro Music
CUR Music (Medianet) Deezer
Digitally Imported Dubseed
Dubset Media DJ Tunes eMusic
Express In Music Gracenote Google Play Groove (Xbox) iHeartRadio IMSTREAM
iTunes J uno
J oMedia (Medianet) Mail.ru (UMA) Medianet Noiseporn
Orfium OK.RU TIDAL
Trackitdown Meo Music Mix Upload
Napster (Rhapsody) Pandora
Prime Music Promo Only Pulselocker Qobuz saavn Shazam Sirius XM Soundcloud Spinlet Spotify Traxsource
United Media Agency (UMA) VK.ru (UMA)
KK Box (South Korea) PYRO Music (EDM in China) iNDIEVOX (Taiwan) Yonder Music (Malaysia) VL Group
VEVO
whatpeopleplay Weyv Yandex
YouTube Content ID YouTube Red ZVOOQ
Zonga Romania (Medianet)
We look
at distribution with a method getting the maximum return for your material as possible with a focus on partners that will ensure a return on your investment of time, money, and hard work. These partners reflect not only domestic but vast international coverage and extend beyond a standard download store or streaming provider.
Gracias. A ver yo tengo unas cancione subidas a Soundcloud y youtube y no están registradas ni yo estoy registrado en el SGAE como autor, tengo registrar las canciones y mi nombre artistico en el SGAE, antes de mandarlas al sello?
En el término A, ¿decido yo el número de años que quiero firmar por el sello?
En el punto 1.Producción dice : que la música no debe ser menor de 40 minutos de duración, que significa ¿que al año tengo producir por lo menos 40 minnutos de temas?
La discográfica es de Johanesburgo y yo compongo en mi home studio en A Coruña, ¿No tendría que desplazarme a Sudáfrica para nada, no?, ¿me refiero este contrato sería simplemente para vender mi música a través de ellos como representantes míos? ¿no tendría que actuar en shows ni nada por el estilo, no?
En el tema de los royalties ¿yo recibiría el 50% en venta de tema y 70% en el tema de radiodifusión? ¿en el contrato no debería venir donde poner mi numero de cuenta bancaria o algo para que yo reciba eses ingresos?
Y el último párrafo no lo entiendo, algo de que te devuelven todo el material posible centrado en los patrocinadores en téminos de tiempo empleados esfuerzo...
En resumen se ve ¿legal el contrato?, ¿quiero decir que no hay nada que pueda perder o pueda ocasionar gasto alguno?
Es la primera vez que veo un contrato discográfico y puedo componer un mínimo de 24 temas por año desde mi Home studio sin mezcla ni mastering, cumpliría así con el contrato?
Gracias, un saludo.
En el término A, ¿decido yo el número de años que quiero firmar por el sello?
En el punto 1.Producción dice : que la música no debe ser menor de 40 minutos de duración, que significa ¿que al año tengo producir por lo menos 40 minnutos de temas?
La discográfica es de Johanesburgo y yo compongo en mi home studio en A Coruña, ¿No tendría que desplazarme a Sudáfrica para nada, no?, ¿me refiero este contrato sería simplemente para vender mi música a través de ellos como representantes míos? ¿no tendría que actuar en shows ni nada por el estilo, no?
En el tema de los royalties ¿yo recibiría el 50% en venta de tema y 70% en el tema de radiodifusión? ¿en el contrato no debería venir donde poner mi numero de cuenta bancaria o algo para que yo reciba eses ingresos?
Y el último párrafo no lo entiendo, algo de que te devuelven todo el material posible centrado en los patrocinadores en téminos de tiempo empleados esfuerzo...
En resumen se ve ¿legal el contrato?, ¿quiero decir que no hay nada que pueda perder o pueda ocasionar gasto alguno?
Es la primera vez que veo un contrato discográfico y puedo componer un mínimo de 24 temas por año desde mi Home studio sin mezcla ni mastering, cumpliría así con el contrato?
Gracias, un saludo.
Victor Fernandez Armada escribió:tengo registrar las canciones y mi nombre artistico en el SGAE, antes de mandarlas al sello?
No es obligatorio pero sí recomendable.
Victor Fernandez Armada escribió:En el término A, ¿decido yo el número de años que quiero firmar por el sello?
No, lo que ocurre es que te han mandado un formulario tipo (se pueden encontrar muchos por la red) con cosas entre paréntesis que el que te hace el contrato debería haber rellenado y no ha hecho.
Victor Fernandez Armada escribió:En el punto 1.Producción dice : que la música no debe ser menor de 40 minutos de duración, que significa ¿que al año tengo producir por lo menos 40 minnutos de temas?
No, al año no, sólo que debes entregar un master de al menos 40 minutos.
Victor Fernandez Armada escribió:¿No tendría que desplazarme a Sudáfrica para nada, no?, ¿me refiero este contrato sería simplemente para vender mi música a través de ellos como representantes míos?
No hay ninguna clausula que diga nada de que tengas que ir a ningún sitios, pero el concepto de como funciona el comercio no es exactamente como dices. Tú lo que haces es darles permiso para que ellos sirvan tu material a unas tiendas, son las tiendas las que venden, de lo que vendan descontarán su porcentaje (de un 30 a un 60%), de lo que quede, la distribuidora digital (un intermediario entre el sello y la tienda) se quedará entre un 15% y un 20%, y de lo que quede te llevarás la mitad tú, y la otra mitad el sello.
Victor Fernandez Armada escribió:70% en el tema de radiodifusión
Según el contrato un 40%, pero me resulta incomprensible porque sobre comunicación pública el 100% es para el autor y lo paga SGAE, que recibe directamente el dinero de las emisoras, no de los sellos.
Victor Fernandez Armada escribió:¿en el contrato no debería venir donde poner mi numero de cuenta bancaria o algo para que yo reciba eses ingresos?
Eso se suele firmar en documentos aparte.
Victor Fernandez Armada escribió:Y el último párrafo no lo entiendo, algo de que te devuelven todo el material posible centrado en los patrocinadores en téminos de tiempo empleados esfuerzo...
Lo que dice es que si tú no te dedicas activamente a promocionar tu propia música darán por terminado el contrato y retirarán tu material de la venta, pero conservando ellos los derechos.
Teo Tormo escribió:En resumen se ve ¿legal el contrato?, ¿quiero decir que no hay nada que pueda perder o pueda ocasionar gasto alguno?
No se ve serio, es un modelo al que le faltan datos, con erratas, y con alguna cosa abusiva. Sí, puedes perder los derechos de las canciones durante un tiempo. Yo no firmaría una mierda con esa gente.
Baneado Teo Tormo escribió:Ni yo. Un sello que no tiene ni una miserable página web no puede ser serio.Yo no firmaría una mierda con esa gente.
Baneado
Pues ya te dijeron todo...
NI DE COÑA, firmes con alguien que no tiene la decencia de formular sus propios contratos, venga, que usaron una plantilla XDDDDDDDDD
A parte investigando no tienen web, usan UN PUTO GMAIL. Ningun sello (bah, compania) serio usa gmail. Siempre usan sus dominios propios, y ademas tienen website.
NI DE COÑA, firmes con alguien que no tiene la decencia de formular sus propios contratos, venga, que usaron una plantilla XDDDDDDDDD
A parte investigando no tienen web, usan UN PUTO GMAIL. Ningun sello (bah, compania) serio usa gmail. Siempre usan sus dominios propios, y ademas tienen website.
mod Victor Fernandez Armada escribió:tengo registrar las canciones y mi nombre artistico en el SGAE,
Ninguna de esas dos cosas es correcta. Aunque es verdad que la primera podría simplificarse así, la realidad es que en SGAE no se registran las canciones. Se registra la cesión a SGAE de la gestión de los derechos patrimoniales de las canciones y, para identificar adecuadamente esos derechos a ceder, se adjuntan las mismas. El único registro de autoría de las canciones reconocido por la ley es el Registro de la Propiedad Intelectual. Otra cosa es que, en procedimientos judiciales, puedan reconocerse otros registros como pruebas: SGAE, Safecreative, etc.
El nombre artístico es una marca (o creo que también podría protegerse como Nombre comercial) y por tanto, el único sitio donde se puede registrar es en la Oficina Española de Patentes y Marcas o en la Oficina de Propiedad Intelectual de la Unión Europea.
Lo de que envíen contratos que son modelos en los que no han hecho ni el esfuerzo de poner los datos específicos no os podéis imaginar a qué niveles se ve. Es más, he visto bastantes contratos firmados en los que aún aparece "A rellenar", "A completar", etc.
Quitando que la compañía puede que sea sólo el Sr. Pycorns Townshipsoul, que tampoco tenga mucha idea de contratos, y tira de lo que encuentra, lo que no me gusta es lo de que si no hay promoción se acaba el contrato pero (y eso puede considerarse lógico) los temas producidos a través de ellos siguen siendo su propiedad (la versión grabada, para entendernos, no el tema en sí). No me gusta porque ¿cómo se mide eso de si falta promoción? Debería estar especificado.
Australia escribió:El nombre artístico es una marca (o creo que también podría protegerse como Nombre comercial) y por tanto, el único sitio donde se puede registrar es en la Oficina Española de Patentes y Marcas o en la Oficina de Propiedad Intelectual de la Unión Europea.
Es correcto, pero en SGAE, con independencia de que tengas el nombre artístico registrado o no, puedes pedir que asocien hasta dos nombres artísticos (si no recuerdo mal) a tu nombre real, para facilitar trámites y que no se queden cosas sin cobrar.
Australia escribió:No me gusta porque ¿cómo se mide eso de si falta promoción? Debería estar especificado.
Directamente creo que es una clausula puesta para rescindir un contrato cuando les apetezca.
Y este otro contrato que os parece? Gracias
DIGITAL
DISTRIBUTION AGREEMENT
This is an agreement (the “Agreement”) dated_____________________, between Magerms Records and________________________________________(the “Label”) to provide for the promotion, sale, & distribution of the Label’s music via Paradise distribution GMBH, global broadcasts and digital download stores according to the terms and provisions set forth below.
Term. The term of this agreement will be for 1 year from the date of execution and shall be automatically extended every 12 months thereafter unless written termination notice is given one month prior to the annual renewal.
The Material. Within 7 days of the execution of this “Agreement”, the Label will provide to Magerms Records digital musical sound recordings (the “Material”) on compact discs guaranteed to be free from defects and viruses. The Label grants to Magerms Records nonexclusive, worldwide, royalty-free licenses to: (a) promotionally play, broadcast, reproduce, distribute, display, and digitally perform the Material in whole or in part; (b)create and use samples of the Material solely for the purpose of demonstrating or promoting Magerms Records products or services and/or the Label’s Material; (c) use any trademarks, service marks, or trade names incorporated in the Material; and (d) use the name or likeness of any individual represented in connection with the promotion of the Material.
Method of Distribution. Magerms Records will make the Material available for download purchasing via Magerms Records owned and all online digital download stores and accounts with one or more digital distribution providers.
Compensation. The Label price per distribution (PPD) compensation will be 40% for each unit of the Material sold at 60% retail. The Label will also set the retail price and receive 60% compensation for each Album and/or Compilation sold under this agreement. Magerms Records will pay for store licensing, storage, commission, and maintenance fees. Payments to the Label will be made quarterly within 10 days after receipt of payment from the transaction providers. The Label will be given access to their sales reporting at the end of each quarter to verify proper payment.
Representations and Warranties. The Label represents and warrants that they (i) have full power and authority to execute and deliver this Agreement and to fulfill their obligations hereunder, (ii) the making and performance of this Agreement does not and shall not violate any other agreements to which the Label is party or by which they are bound, (iii)they are the sole owner of the Materials, with full and absolute rights to license Magerms Records as contemplated herein, and (iv)no part of the Material shall infringe upon the copyrights, trademarks, trade secrets, publishing rights, patents, intellectual property rights or any other proprietary rights of any other person or entity. The Label agrees to hold Magerms Records and its’ distributors completely harmless from any and all such claims.
Ownership of the Material. Magerms Records acknowledges and agrees that nothing in this agreement confers Magerms Records any right of ownership in the Materials.
Governing Law. This agreement shall be governed and construed in accordance
with the laws of the State of Mpumalanga and South African law.
Entire Agreement. This Agreement embodies the entire agreement and understanding of the parties with respect to the subject matter contained herein and supersedes all prior written or oral agreements and understanding between the parties with respect to such subject matter.
Amendments; Waivers; Binding Effect. Any amendments to, or waiver of any rights under this Agreement shall be in writing and signed by both parties. This agreement shall be binding upon and inure to the benefit of the parties hereto and their respective successors and assigns.
Assignment. Neither party may assign any terms or rights within this Agreement, in whole or in part, without the prior written consent of the other party.
No Agency. No agency, partnership, joint venture or employment relationship shall be created or inferred by the existence or performance of this Agreement, and neither party shall have the authority to bind the other in any respect whatsoever.
No Presumption. In the event of any ambiguity or question of intent or interpretation arises, this Agreement shall be construed as if drafted jointly between Magerms Records and the Label and no presumption of proof shall arise favoring or disfavoring any party by virtue of the authorship of any of the provisions of this Agreement.
Security. The Label is completely cognizant of the fact that there can be no fully effective technical protection against the illegal copying and distribution of digital music files and indemnifies Magerms Records from any liability or damages.
Taxes. Each party shall be solely responsible for payment of any taxes associated with this Agreement for which they are liable.
Severability. If any provision of this Agreement is held to be invalid or unenforceable for any reason, the remaining provisions will continue in full force without being impaired or invalidated in any way.
Label
__________________________________
Signature Signature
________________________________________________________________________
Date Date
TRACK NAME/ARTIST- PPD(USD)RETAIL PRICE
Is derived by stores since they vary and all royalties must reach atlist 50$ and above to pay out royalties if not reached all the statements will be issued out quartely thanks
COMPILATION/ALBUM- RETAIL PRICE(USD)
Same as above depends on royalties and stores
DIGITAL
DISTRIBUTION AGREEMENT
This is an agreement (the “Agreement”) dated_____________________, between Magerms Records and________________________________________(the “Label”) to provide for the promotion, sale, & distribution of the Label’s music via Paradise distribution GMBH, global broadcasts and digital download stores according to the terms and provisions set forth below.
Term. The term of this agreement will be for 1 year from the date of execution and shall be automatically extended every 12 months thereafter unless written termination notice is given one month prior to the annual renewal.
The Material. Within 7 days of the execution of this “Agreement”, the Label will provide to Magerms Records digital musical sound recordings (the “Material”) on compact discs guaranteed to be free from defects and viruses. The Label grants to Magerms Records nonexclusive, worldwide, royalty-free licenses to: (a) promotionally play, broadcast, reproduce, distribute, display, and digitally perform the Material in whole or in part; (b)create and use samples of the Material solely for the purpose of demonstrating or promoting Magerms Records products or services and/or the Label’s Material; (c) use any trademarks, service marks, or trade names incorporated in the Material; and (d) use the name or likeness of any individual represented in connection with the promotion of the Material.
Method of Distribution. Magerms Records will make the Material available for download purchasing via Magerms Records owned and all online digital download stores and accounts with one or more digital distribution providers.
Compensation. The Label price per distribution (PPD) compensation will be 40% for each unit of the Material sold at 60% retail. The Label will also set the retail price and receive 60% compensation for each Album and/or Compilation sold under this agreement. Magerms Records will pay for store licensing, storage, commission, and maintenance fees. Payments to the Label will be made quarterly within 10 days after receipt of payment from the transaction providers. The Label will be given access to their sales reporting at the end of each quarter to verify proper payment.
Representations and Warranties. The Label represents and warrants that they (i) have full power and authority to execute and deliver this Agreement and to fulfill their obligations hereunder, (ii) the making and performance of this Agreement does not and shall not violate any other agreements to which the Label is party or by which they are bound, (iii)they are the sole owner of the Materials, with full and absolute rights to license Magerms Records as contemplated herein, and (iv)no part of the Material shall infringe upon the copyrights, trademarks, trade secrets, publishing rights, patents, intellectual property rights or any other proprietary rights of any other person or entity. The Label agrees to hold Magerms Records and its’ distributors completely harmless from any and all such claims.
Ownership of the Material. Magerms Records acknowledges and agrees that nothing in this agreement confers Magerms Records any right of ownership in the Materials.
Governing Law. This agreement shall be governed and construed in accordance
with the laws of the State of Mpumalanga and South African law.
Entire Agreement. This Agreement embodies the entire agreement and understanding of the parties with respect to the subject matter contained herein and supersedes all prior written or oral agreements and understanding between the parties with respect to such subject matter.
Amendments; Waivers; Binding Effect. Any amendments to, or waiver of any rights under this Agreement shall be in writing and signed by both parties. This agreement shall be binding upon and inure to the benefit of the parties hereto and their respective successors and assigns.
Assignment. Neither party may assign any terms or rights within this Agreement, in whole or in part, without the prior written consent of the other party.
No Agency. No agency, partnership, joint venture or employment relationship shall be created or inferred by the existence or performance of this Agreement, and neither party shall have the authority to bind the other in any respect whatsoever.
No Presumption. In the event of any ambiguity or question of intent or interpretation arises, this Agreement shall be construed as if drafted jointly between Magerms Records and the Label and no presumption of proof shall arise favoring or disfavoring any party by virtue of the authorship of any of the provisions of this Agreement.
Security. The Label is completely cognizant of the fact that there can be no fully effective technical protection against the illegal copying and distribution of digital music files and indemnifies Magerms Records from any liability or damages.
Taxes. Each party shall be solely responsible for payment of any taxes associated with this Agreement for which they are liable.
Severability. If any provision of this Agreement is held to be invalid or unenforceable for any reason, the remaining provisions will continue in full force without being impaired or invalidated in any way.
Label
__________________________________
Signature Signature
________________________________________________________________________
Date Date
TRACK NAME/ARTIST- PPD(USD)RETAIL PRICE
Is derived by stores since they vary and all royalties must reach atlist 50$ and above to pay out royalties if not reached all the statements will be issued out quartely thanks
COMPILATION/ALBUM- RETAIL PRICE(USD)
Same as above depends on royalties and stores
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