Alguien escribió:The Cento partite is an astounding composition whose messages we have barely begun to understand. Among other things it is a study in transformations. There are transformations of meter as we pass through a variety of signatures and notational forms; transformations of key (see Table 2); and finally, transformations of genre. Although the beginnings of different genres are marked in the score, most transitions are smoothly accomplished by what one might call genre modulation. Often these will exploit the potential ambiguities of various distinguishing markings to effect a gradual shift.
supertorpe escribió:John Dowland
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